Lambert's follow-up to the near perfect Crazy Ex-Girlfriend is uneven but not uninteresting. She pushes the boundaries of country instrumentation on "Maintain the Pain" and covers Fred Eaglesmith's "Time to Get a Gun" with just the right snarl.
A guide to what you should see and what you should skip and what you won't be able to avoid
Lambert's follow-up to the near perfect Crazy Ex-Girlfriend is uneven but not uninteresting. She pushes the boundaries of country instrumentation on "Maintain the Pain" and covers Fred Eaglesmith's "Time to Get a Gun" with just the right snarl.