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Discrepancies notwithstanding, the net impression is of a woman of substance, brave and smart and devoted, who plays a crucial--perhaps irreplaceable--role in Christianity's defining moment. So where did all the juicy stuff come from? Mary Magdalene's image became distorted when early church leaders bundled into her story those of several less distinguished women whom the Bible did not name or referred to without a last name. One is the "sinner" in Luke who bathes Jesus' feet with her tears, dries them with her hair, kisses them and anoints them with ointment. "Her many sins have been forgiven, for she loved much," he says. Others include Luke's Mary of Bethany and a third, unnamed woman, both of whom anointed Jesus in one form or another. The mix-up was made official by Pope Gregory the Great in 591: "She whom Luke calls the sinful woman, whom John calls Mary [of Bethany], we believe to be the Mary from whom seven devils were ejected according to Mark," Gregory declared in a sermon. That position became church teaching, although it was not adopted by Orthodoxy or Protestantism when each later split from Catholicism.
What prompted Gregory? One theory suggests an attempt to reduce the number of Marys--there was a similar merging of characters named John. Another submits that the sinning woman was appended simply to provide missing backstory for a figure of obvious importance. Others blame misogyny. Whatever the motivation, the effect of the process was drastic and, from a feminist perspective, tragic. Magdalene's witness to the Resurrection, rather than being acclaimed as an act of discipleship in some ways greater than the men's, was reduced to the final stage in a moving but far less central tale about the redemption of a repentant sinner. "The pattern is a common one," writes Jane Schaberg, a professor of religious and women's studies at the University of Detroit Mercy and author of last year's The Resurrection of Mary Magdalene: "the powerful woman disempowered, remembered as a whore or whorish." As shorthand, Schaberg coined the term "harlotization."