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In 1988, the book Mary Magdalene: A Woman Who Showed Her Gratitude, part of a children's biblical-women series and a fairly typical product of its time, explained that its subject "was not famous for the great things she did or said, but she goes down in history as a woman who truly loved Jesus with all her heart and was not embarrassed to show it despite criticism from others." That is certainly part of her traditional resume. Many Christian churches would add her importance as an example of the power of Christ's love to save even the most fallen humanity, and of repentance. (The word maudlin derives from her reputation as a tearful penitent.) Centuries of Catholic teaching also established her colloquial identity as the bad girl who became the hope of all bad girls, the saved siren active not only in the overheated imaginations of parochial-school students but also as the patron of institutions for wayward women such as the grim nun-run laundries featured in the new movie The Magdalene Sisters. In the culture at large, writer Kathy Shaidle has suggested, Magdalene is "the Jessica Rabbit of the Gospels, the gold-hearted town tramp belting out I Don't Know How to Love Him."
The only problem is that it turns out that she wasn't bad, just interpreted that way. Mary Magdalene (her name refers to Magdala, a city in Galilee) first appears in the Gospel of Luke as one of several apparently wealthy women Jesus cures of possession (seven demons are cast from her), who join him and the Apostles and "provided for them out of their means." Her name does not come up again until the Crucifixion, which she and other women witness from the foot of the Cross, the male disciples having fled. On Easter Sunday morning, she visits Jesus' sepulcher, either alone or with other women, and discovers it empty. She learns--in three Gospels from angels and in one from Jesus himself--that he is risen. John's recounting is the most dramatic. She is solo at the empty tomb. She alerts Peter and an unnamed disciple; only the latter seems to grasp the Resurrection, and they leave. Lingering, Magdalene encounters Jesus, who asks her not to cling to him, "but go to my brethren and say unto them, I ascend unto my Father ... and my God." In Luke's and Mark's versions, this plays out as a bit of a farce: Magdalene and other women try to alert the men, but "these words seemed to them an idle tale, and they did not believe them." Eventually they came around.