The Real Australia

Americans know a lot about the place, most of it wrong. Our art critic evokes its true glories and flaws as only a native son can

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Steven Vidler / Eurasia Press / Corbis

Most of Australia's residents live on the coast.

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Where it counts--which is more in production than interpretation--Australia has a vigorous cultural life, sometimes enthrallingly so. The list of first-rank Australian novelists, headed up by Murray Bail, Peter Carey and David Malouf--writers of exceptional power and social insight--is a considerable one. London has a brilliant biographer and diagnostician of past culture in Peter Conrad, an erudite and dark-minded expatriate from Tasmania.

Books, of course, circulate everywhere, whereas paintings and buildings do not. Consequently major architects like Glenn Murcutt and Philip Cox are little known outside Australia. This is a pity, and even worse is the general ignorance of Australian contemporary painting. At a time when serious pictorial talent is so thin on the ground in the U.S., it seems bizarre that artists as excellent as John Olsen, Colin Lanceley, Tim Storrier and Mike Parr aren't the world figures they deserve to be. The only Australian art that attracts much overseas attention is contemporary Aboriginal art, which varies enormously in quality.

The clarity of Australian cultural achievement is often muddied by our most irksome cultural shortcoming: a peevishly insecure hatred of "tall poppies," people distinguished by their achievements in any area except, of course, sport. Australia has never honored its artists, intellectuals, writers and musicians as fully as its sports figures; there is always an undertow of resentment, of the lowbrows' residual suspicion that the highbrow is conning them. Everyone bitches about this; nobody does anything about it. It is hardwired into us, a proof of "toughness."

Underknown culturally, Australia is also politically obscure. Why? Because we're so well behaved. We are not the mouse that roared. Historically, we have rarely even contemplated roaring. As former Prime Minister Paul Keating has pointed out, Australia has always been short of the defining value systems that are gained through conflict. We have never had a civil war or a revolution. We have never been invaded--though we nearly were during World War II, by the Japanese. We are piteously short of good political scandals and low on graft. Nobody has ever called us a Great Satan or even a little one. We tend to like Americans more than most nations do, although we do not have the least desire to be like them.

We are absolutely not a threat to anyone. But this does us no good in the media. It is why you do not read about Australia in U.S. newspapers. Practically nothing in Australia is considered worth reporting. In all the 30 years I have lived in New York City, I doubt that I have seen as many front-page stories about my country in the New York Times as you'd get about Israel in a month. Why would you want to know about us? We don't rock your boat or export much you're interested in, except for our admirable wines, a steady supply of sports figures and a few actors like Mel Gibson, Russell Crowe and Nicole Kidman.

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