(5 of 7)
26. "Always be capable of feeling...any injustice committed against anyone anywhere in the world."
a) Bill Clinton b) Che Guevara c) Jesse Jackson d) Diana, Princess of Wales
27. "Soul is a constant. It's cultural. It's always going to be there, in different flavors and degrees."
a) Billy Graham b) Aretha Franklin c) Martin Luther King Jr. d) Oprah Winfrey
THE CENTURY IN ARTS Match the excerpt from Time to the corresponding photo of the artist or work.
1. "He was the artist with whom virtually every other artist had to reckon, and there was scarcely a 20th century movement that he didn't inspire, contribute to or...beget."
2. "Loosely strung together on a scheme that plays the younger and older generations off against each other, it sizzles with musical montage, tricky electronics and sleight-of-hand lyrics that range between 1920s ricky-tick and 1960s raga."
3. "[This work] is as exciting as a Western, as funny as a haywire comedy ... A combination of Hollywood, the Grimm Brothers, and the sad, searching fantasy of universal childhood, it is an authentic masterpiece."
4. "By day [the building] is a soaring column the color of an old cannon; by night it is a giant, glowing shaft punctuating the ... skyline. It is the definitive statement of what a skyscraper can be by the architect whom most purists hail as the master of glass-and-steel design."
5. "[This painter's work] is apt to resemble a child's contour map of the Battle of Gettysburg, [but] he is the darling of a highbrow cult which considers him 'the most powerful painter in America.'"
6. "[This author's work] has survived export triumphantly. In a beautiful translation, surrealism and innocence blend to form a wholly individual style. Like rum calentano, the story goes down easily, leaving a rich, sweet burning flavor behind."
7. "With bright, geometric designs, hemlines pioneeringly economical in length and a silhouette breezily loose, [this Londoner] set off the Youthquake look of the '60s."
8. "Still the brightest boy in the class, [the author] holds up his hand. It is noticed that his literary trousers are longer, less bell-bottomed, but still precious."
9. "In the...annals of family fights on stage, there has been nothing quite like [this play's] mortal battle of the sexes for sheer nonstop grim-gay savagery. The human heart is not on view, but the playgoer will know that he has seen human entrails."
10. "[This] is no simple catalogue of hard-luck adventures in a world where might is white. Before it is over, [the novelist's] hero can face up to one of life's bitterest questions, 'How does it feel to be free of illusion?' and give an honest answer: 'Painful and empty.'"
11. "[This work] pretty much deserves its exclamation point. A folk musical laid in the Indian territory just after the turn of the century, it is thoroughly refreshing without being oppressively rustic."
12. "Back in 1948, when everybody was trying to blow like Diz, [this artist's] nine-man pickup band was trimming Gillespie's blast-furnace sound to a clean, low Bunsen flame."