The crisp snap of an October morn. The distant roar of a football stadium. The chatty drone of Oscar hopefuls being hyped. The inescapable thud as Michael Crichton's next best seller hits bookstores every-where. Yes, fall brings not only nature's harvest but culture's as well. A selective look at the new season's glories...
SHAKESPEARE: THE OLD JANE AUSTEN
School begins, and Hollywood hits the books. Keeping one eye on the Motion Picture Association membership and the other on the guard dogs of media morality, studios are releasing movies from the works of Henry James (Portrait of a Lady) and Thomas Hardy (Jude, as in The Obscure). The film industry has always loved the classics: they're pedigreed, they're passionate, they're public domain. But a few long-dead writers must have great agents--they get their names in the title. Daniel Defoe's Robinson Crusoe. William Shakespeare's Romeo and Juliet.
Shakespeare, it turns out, doesn't need CAA. As if to say, "So there, Jane Austen!", the Bard is back in maximum force. There are two films based on Romeo and Juliet: one using the text but transplanted to a Miami-esque beach town; the other, Love Is All There Is, set in the Bronx and retold by writer-directors Joseph Bologna and Renee Taylor. Royal Shakespeare Company alumnus Trevor Nunn has a Twelfth Night starring Helena Bonham Carter and Nigel Hawthorne. Richard III, recently modded up by Ian McKellen, gets the Al Pacino treatment in Looking for Richard.
But all bow before Kenneth Branagh, Shakespeare's most doting and dogged courtier. Last year he played Iago to Laurence Fishburne's Othello and made a film, A Midwinter's Tale, about doing Hamlet in the provinces. This year he directs and stars in Hamlet--every word of Shakespeare's longest play--and has cast it with nearly every tony Brit actor (Derek Jacobi, John Gielgud, Kate Winslet, Rosemary Harris) but Emma Thompson. There are also some ringers: Robin Williams, Jack Lemmon and Billy Crystal. How do you say shtick in Elizabethan English?
HALSTON'S REVENGE--ULTRASUEDE IS BACK
Vegetable tones, maxiskirts--fashion has revived the '70s once again. But nothing has captured the Liza-at-Studio-54 aspect of the era as redolently as Ultrasuede, the must-have synthetic for fall. A wonder of chemical processing, faux suede is turning up in the form of trousers, shirts and belts from such hot young designers as Jill Stuart, Cynthia Rowley and the Morrissey Edmiston team. Stuart's new Ultrasuede "Fonda" dress is long gone from the racks of L.A.'s Fred Segal. But the material doesn't say retro to all. "The feel is casual elegance," explains handbag designer Kate Spade. "I don't look at my bags and think Rhoda."
ON TV, IT FEELS MORE LIKE 1986