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And Eisenman has finally allowed himself to learn the most enduring lesson of his old postmodern nemeses: the necessity of fitting in with nearby buildings, even the motley, uninspiring ones. Wexner, tucked between off-white masonry buildings, is clad partly in white limestone, and for all its coming- apart-at-the-seams wildness, the building is actually rather low-key, never overwhelming its campus. "We're on the short list for a new building at Yale," says Eisenman, the contextualist-come-lately. The location, he says nonchalantly, as if he had not spent the past 20 years ranting against any hint of historical style, "seems to call for a neo-Georgian classical box or something." Kinder and gentler, indeed.