There is a character in The Satanic Verses, a scribe named Salman, who commits an unthinkable sin. His job is to write down the revelations of God as recited by Mahound, Rushdie's fictional prophet. But the mischievous scribe repeatedly changes Mahound's words. When the prophet finally realizes that Salman has corrupted the text of his holy book, he explodes, "Your blasphemy can't be forgiven." The proper punishment for Salman's crime is death, but Mahound is merciful and spares his life.
Rushdie, whose first name is also Salman, seems to share the character's skepticism about the authenticity of God's revealed word. But the real-life author will be lucky if he enjoys the same clemency as his fictional counterpart. His literary twisting of the Koran is the central transgression for which the Ayatullah Khomeini has condemned him to death. Explains Indian- born writer Mihir Bose: "Every Muslim, whether fundamentalist or liberal, believes the Koran is literally the very word of God, preserved in heaven and transmitted by the angel Gabriel through Muhammad." The Prophet himself, although not considered divine, is revered by Muslims as the model of sinless human perfection.
Though Rushdie denies that his convoluted novel is meant to be antireligious, its profane and satirical treatment of Islam's origins is guaranteed to offend any true Muslim. Rushdie points out that his work is fictional and the two most offensive chapters merely recount the demented dreams of one of its characters. But in the eyes of believers, both historical and religious truth have come under an unprecedented assault. Their reaction is especially harsh because Rushdie was raised a Muslim. Says Professor Georges Sabagh, director of the center for Near Eastern studies at UCLA: "He's engaged in the worst kind of blasphemy. He's a renegade, an apostate."
One of Rushdie's most bitterly disputed passages deals with the famous Satanic verses from which the novel takes its title. Here Mahound is tempted by Gibreel (obviously a reference to the angel Gabriel) to cut a deal with the enemies of his embryonic faith and tolerate worship of three of their goddesses alongside the one God. Gibreel later tells Mahound that the idea came from Satan, and the prophet orders acceptance of the rival deities to be stricken from his holy text.
Actually, this passage did not spring from Rushdie's imagination: similar accounts of Muhammad's temptation were recorded a millennium ago by Ibn Sa'd, al-Tabari and other authoritative Muslim historians. Today's Islamic scholars, however, do not consider the story authentic. Like the section dealing with the scribe Salman, this episode is seen by Rushdie's critics as a blatant attempt to undermine the Koran as the word of God.