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"This is the dilemma that faces Broadway artists and entrepreneurs. The Shuberts and Nederlanders have demonstrated that show business can make money. The R.S.C., and to a lesser extent artists on Broadway and off, prove that it can make vital theater. The challenge ahead is to reconcile these opposites, and to do it on Broadway. "Broadway at its best gives the best people the resources to do their best," says Prince. The Fabulous Invalid cannot be killed off by an overdose of mediocrity; it can be rehabilitated by frequent injections of imagination and daring. As long as someone has a story to tell or a song to sing, and as long as someone else is willing to sit down and listen—for two hours or 2½—Broadway will be as good a place as any to do it. —By Richard Corliss. Reported by Elaine Dutka/New York and Martha Smilgis/Los Angeles