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GENERAL DELLA ROVERE. In the best work he has done since Paisan (1946), Italy's Roberto Rossellini tells the powerfully affecting story of a petty thief who finds his own salvation by living another man's life.
THE LOVE GAME. Philippe de Broca's bedspring farce, the first comedy turned up by the new wave of French cinéastes, bounces along like the movies did when Rene Clair first made them.
