(3 of 3)
A happy combination of sentiment, metaphysical poetry and A Connecticut Yankee at King Arthur's Court, Berkeley Square has all the qualifications of a succes d'estime and most qualifications for success at the box office. Producer Jesse Lasky—one of the few oldtime cinemagnates who have kept up with the times—did a first-rate job which began with hiring Frank Lloyd, who made Cavalcade, to direct; borrowing Leslie Howard, who played the rôle in John Balderston's play, to act Peter Standish; using a new British ingénue, Heather Angel, for Helen Pettigrew. Heather Angel's name is not a pseudonym. Daughter of an Oxford lecturer who was killed in the War, she attended a London dramatic school, took to the stage when its headmistress died. Her first real part was in the London stage production of The Sign of the Cross. Good shot: Peter Standish wondering whether history ("It doesn't happen that way") is really sufficient reason for not breaking off his engagement with Kate Pettigrew.
Mr. Broadway (Broadway-Hollywood) is a feature-length production based on the frail supposition that the spectacle of a Broadway colyumist introducing pseudo-celebrities constitutes entertainment. It shows Colyumist Ed Sullivan of the New York Daily News chatting with patrons and performers at three Manhattan cafés, includes glimpses of Lupe Velez, Primo Camera, Ruth Etting, Ernst Lubitsch, et al. amiably dancing, talking, bowing. Best shot: Pugilist Maxie Rosenbloom looking bored.