Cinema: The New Pictures: May 1, 1933

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The picture would have been much better if it had been more explicit about how its most interesting personage reaches this sad predicament. A plot which is more of an insinuation than a narrative implies that the soul of Bavian's dead mistress, a lady sadist executed for strangling three of her lovers, comes back to inhabit temporarily the body of a pure young heiress (Carole Lombard) who consults Bavian to get news of her dead twin brother. The heiress faints during a seance; when she wakes up, her eyes have a fiendish glitter. She entices Bavian aboard her yacht. He breaks out of her cabin in a puzzled panic and manages to strangle himself, apparently on the anchor rope, while trying to escape. Silliest shot: Bavian leering at his poor old dipsomaniac landlady until she falls over in a giggling swoon.

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