Cinema: The New Pictures: Feb. 26, 1934

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Instead of attempting a journalistic study of bus-travel, regularly punctuated by comic touches, Director Frank Capra and Robert Riskin who adapted Samuel Hopkins Adams' story, fused the two. When Gable and Colbert hail a Ford for a lift the driver sings them a tuneless paean on the pleasures of hitchhiking. When they stop for gas, he tries to drive off with their battered suitcase. The quick flow of comic incident through It Happened One Night reaches its fantastic conclusion in a wedding at which the groom arrives in an autogyro while the bride runs away.

The Cat & the Fiddle (Metro-Goldwyn-Mayer). A Broadway success of two years ago, this musicomedy slides neatly into cinema. Set in Brussels and Paris, it is sleek, plausible, sentimental. An operetta composer (Ramon Novarro) meets, loves and teams up with a U. S. girl (Jeanette MacDonald) who also writes songs. A manager (Frank Morgan) likes Novarro's tunes but eyes the girl with more relish. He publishes her song, "The Night is Made for Love," the success of which enables MacDonald and Novarro to live in a glittering Paris flat. But Novarro, producing nothing himself, returns to Brussels in gloom. Miss MacDonald thinks he is tired of her. How she nearly marries the manager, saves Novarro's completed operetta from disaster and finally forgives him for leaving her make a typical musicomedy ending which in this case is done in Technicolor in a new three-color system.

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