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AREN'T WE ALL?—An amiable disquisiton designed to demonstrate that man and woman, born fools, have not improved their station. Cyril Maude and his best drawing-room manner chiefly in the spotlight.
THE CHANGELINGS—A wise and witty modern comedy made doubly important by the acting of Henry Miller, Blanche Bates, Ruth Chatterton, Laura Hope Crews, Geoffrey Kerr.
IN LOVE WITH LOVE—A vast amount of nonsense revolving about three men and which one of them Miss Lynn Fontanne shall marry.
MARY, MARY, QUITE CONTRARY— Mrs. Fiske the presiding genius in a gracious comedy of English country life by St. John Ervine.
THE NERVOUS WRECK—If you are the kind who takes pink pills, a visit will be of more value than a dozen doctors. Considered the funniest farce for five years past.
THE SWAN—Perfect high comedy of those who bask in the brilliance of modern continental Royalty. Eva Le Gallienne, Basil Rathbone, Philip Merrivale, Hilda Spong are the principal players.
WINDOWS—A dustcloth applied by John Galsworthy to the cloudy philosophy of six variant individuals concerned with the redemption of a workhouse girl returned to civilization.
Musical Shows
Devotees of musical entertainment will derive particular satisfaction from the following shows: Poppy, Ziegfeld Follies, Music Box Revue, Battling Buttler, Greenwich Village Follies, Wild flower, Scandals.
Notes
In Richmond, Va., the American premiere of John Drinkwater's Robert E. Lee was held. Governors, descendants and delegates from all over the South attended to see that their hero was accorded dramatic justice.
Another biographical play soon to make its bow (in Manhattan) is Queen Victoria by Walter Prichard Eaton and David Carb. The play is episodic and takes the Queen from girlhood to the Diamond Jubilee. Beryl Mercer will play Victoria.
Four Hamlets will be seen on Broadway before Christmas—Barrymore, Sothern, Hampden and Sir John Martin-Harvey (Britisher).
*Duse will give 20 matinees in the U. S. (ten in Manhattan; ten in Philadelphia, Boston and other cities not yet announced). - Ibsen's Ghosts, Cosa Sia, by Gallarati-Scotti, La Porta Chiusa by Marco Praga. La Citta Morta by d'Annunzio, complete her repertory. For her biography, see TIME, July 30.