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Bontecou sees them as a crucial return to nature as the wellspring of her art. Since then, she has been working her way through the forms of plant and animal life and even the galaxies to find a new metaphor. Along the way, she has gone down paths that have more than a bit to do with sci-fi Gothic--alien faces and stylized bird skulls. But her newest art is getting somewhere more interesting. Hanging pieces, some derived plainly from the shapes of fish, they deconstruct nature with a vengeance, exploding it into a million mysteriously related bits, spiny networks and oddball orbital systems. This show may be a retrospective, but it doesn't have to be a final summing up. Welcome back, Lee. This time, stay a while.