For once, let's have no "grief counselors" standing by with banal consolations, as if the purpose, in the midst of all this, were merely to make everyone feel better as quickly as possible. We shouldn't feel better.
For once, let's have no fatuous rhetoric about "healing." Healing is inappropriate now, and dangerous. There will be time later for the tears of sorrow.
A day cannot live in infamy without the nourishment of rage. Let's have rage.
What's needed is a unified, unifying, Pearl Harbor sort of purple American fury--a ruthless indignation that doesn't leak away in a week or two, wandering off into Prozac-induced forgetfulness or into the next media sensation (O.J.... Elian... Chandra...) or into a corruptly thoughtful relativism (as has happened in the recent past, when, for example, you might hear someone say, "Terrible what he did, of course, but, you know, the Unabomber does have a point, doesn't he, about modern technology?").
Let America explore the rich reciprocal possibilities of the fatwa. A policy of focused brutality does not come easily to a self-conscious, self-indulgent, contradictory, diverse, humane nation with a short attention span. America needs to relearn a lost discipline, self-confident relentlessness--and to relearn why human nature has equipped us all with a weapon (abhorred in decent peacetime societies) called hatred.
As the bodies are counted, into the thousands and thousands, hatred will not, I think, be a difficult emotion to summon. Is the medicine too strong? Call it, rather, a wholesome and intelligent enmity--the sort that impels even such a prosperous, messily tolerant organism as America to act. Anyone who does not loathe the people who did these things, and the people who cheer them on, is too philosophical for decent company.
It's a practical matter, anyway. In war, enemies are enemies. You find them and put them out of business, on the sound principle that that's what they are trying to do to you. If what happened on Tuesday does not give Americans the political will needed to exterminate men like Osama bin Laden and those who conspire with them in evil mischief, then nothing ever will and we are in for a procession of black Tuesdays.
This was terrorism brought to near perfection as a dramatic form. Never has the evil business had such production values. Normally, the audience sees only the smoking aftermath--the blown-up embassy, the ruined barracks, the ship with a blackened hole at the waterline. This time the first plane striking the first tower acted as a shill. It alerted the media, brought cameras to the scene so that they might be set up to record the vivid surreal bloom of the second strike ("Am I seeing this?") and then--could they be such engineering geniuses, so deft at demolition?--the catastrophic collapse of the two towers, one after the other, and a sequence of panic in the streets that might have been shot for a remake of The War of the Worlds or for Independence Day. Evil possesses an instinct for theater, which is why, in an era of gaudy and gifted media, evil may vastly magnify its damage by the power of horrific images.