Enough dumping on Rosie O'Donnell. The musical she brought to Broadway, about the wild 80s London club scene that spawned Boy George, has plenty of problems. But any show with songs as good as (grown-up Boy) George O'Dowd's and performers as thrilling as Raul Esparza (as the cross-dressing narrator) and Euan Morton (as Boy George) deserves to stick around for a while.