This is Ingmar Bergman's third retelling of an autobiographical fragment about one of his failed, youthful love affairs. But this time he's added a darker layer of melodrama to his screenplay; Liv Ullmann has burnished her direction with a forgiving glow, and in Lena Endre the two have found a perfect new generation Bergman heroine — beautiful, strong and rueful.
Animated actors dominated the box office, Barry Bonds hit 73 and 'It' turned out to be a scooter. TIME picks the bests and the worsts of this year...