Classical drama requires elegant balance. So, for that matter, does farce. One way or another, then, it makes sense that this story began and now ends with Monica. The cartoon versions of her that dominated the past year--child-victim, stalker-vamp--threatened to reappear on Saturday, when we got to meet her at last, on videotape. But for all the artful editing by both sides, there was no concealing that a flesh-and-blood Monica Lewinsky really does exist after all. She talks, she hides, she teases, she thinks fast and explains, grounded and credible and well practiced after 23 depositions. The very reality of her...
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