Anointed the next Tupac Shakur by the hip-hop press, the performer DMX has one of the better voices in rap: low, raw, charismatic. In fact, one could say he sounds like a cross between Barry White and McGruff the Crime Dog. However, DMX doesn’t share McGruff’s anticrime leanings: his new album, like his last, which went double platinum, is seething with viciousness and violence. His lyrics–often simple and clumsy–attack other black people, homosexuals and women. DMX is at his best when he becomes more contemplative, as he does in Coming From, a moving ballad he performs with singer Mary J. Blige. Attacking minorities isn’t the most original notion, and it’s also rather cowardly. Why not have the guts to challenge the powerful?
–By Christopher John Farley
More Must-Reads from TIME
- Cybersecurity Experts Are Sounding the Alarm on DOGE
- Meet the 2025 Women of the Year
- The Harsh Truth About Disability Inclusion
- Why Do More Young Adults Have Cancer?
- Colman Domingo Leads With Radical Love
- How to Get Better at Doing Things Alone
- Michelle Zauner Stares Down the Darkness
Contact us at letters@time.com