When Marcus Roberts titles an album Blues for the New Millennium (Columbia), it's no casual gesture. Having played regularly with Wynton Marsalis, the pianist shares with his former bandleader a taste for pedagogy, historicism and sheer ambition. Roberts' two most recent albums were a song cycle about romantic loss and rebirth, and a jazzman's reclamation of Rhapsody in Blue. The new disc begins with basics--covers of Robert Johnson and Jelly Roll Morton--and then branches out with 12 self-penned numbers. The climax, Roberts writes, "symbolizes what the whole record is about...our belief that jazz (blues) will dance into the 21st century." It...
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