To his colleagues, Chris Porterfield is an editor whose specialty is everything. Our music writers know him as a lapidary of words whose subtle touch gives luster to subjects as diverse as Rachmaninoff and rap. ("He polishes each sentence so it shines in such a way that you say, 'Yes! That's what I meant to say,' " says Janice Simpson, our New York bureau chief.) Our art critics think of Chris as a paradigm of catholic sensibilities to whom no work of merit, from this century or any other, is unfamiliar. ("Scrupulous. Sympathetic. Measured," says Robert Hughes, whom Porterfield persuaded to...
To Our Readers: Nov. 15, 1993
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