Not in a long time, perhaps never, has a major show at New York City's Museum of Modern Art started with such awful press as "High and Low: Modern Art and Popular Culture," which kicks off MOMA's 1990-91 season. For the past few months one has heard the baying of critics as they hurled themselves against the turkey wire, eager to fix their fangs in it. Old-style formalities like seeing the exhibition or reading its catalog were dropped as writers like Barbara Rose in the Journal of Art expressed their proleptic disapproval of what the show would be and do. And...
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