KING LEAR by WILLIAM SHAKESPEARE
James Earl Jones seems to know a good deal about kingship but very little about old age. His King Lear at the New York Shakespeare Festival in Central Park has a certain grandeur in the early portions of the work, a ground base of reasonable outrage over the lèse-majesté of his elder daughters. Yet the eccentricities of agethe sudden frets and pets, the false starts, queer hesitations and erratic humors of senilityare only rarely present.
As a result, Lear's descent into madness after Goneril (Rosalind Cash) and Regan (Ellen...