Fanciers of Johann Sebastian Bach are a disputatious lot given to occult probings into the spirit of the Master. Some like their Bach feathery and ice-edged; some like him broad and deliberate. The undisputed queen of the "broad" Bach school is Chicago-born Pianist Rosalyn Tureck, who for the past five years has been building an impressive reputation in Europe's concert halls (TIME, July 29, 1957). Last week the New York Philharmonic provided J.S.B.'s Manhattan fans with a rare treat: an all-Bach program at which Pianist Tureck appeared as the first female conductor in...
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