OPERA
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Fresh off the boat from Italy, gourd-shaped Giulio Gatti-Casazza heads straight for Manhattan's Metropolitan Opera. As the newly appointed general manager of the Met, he is eager to have a look at his new home. Mama mia! What he sees is enough to curl his beard. It's bad enough that the exterior looks like a brewery. But the backstage area is so cramped that it can hardly accommodate a P.T.A. pageant. Principal singers, he finds to his horror, have to rehearse in the ladies' powder room; scenery is stacked behind the building on Seventh Avenue. Just...