The triptych centers on what can only be a dismembered corpse, with blood spattered on the castoff clothing and zippered travel bag. On either side are matching panels, which may or may not be the orgiastic prelude to butchery. On the left, two plump nude figures lie exhausted on a curious coffee table covered with mattresses and fitted with a mirror for self-viewing. On the right, two figures are ravenously devouring each other, while the mirror this time picks up the image of an attendant voyeur calmly chatting on the telephone. The work is by Britain's Francis...
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