(See Cover)
In Paris last week, at the Galerie Paul Rosenberg in the fashionable Rue La Boétie, 33 small oils-on-canvas were making the art news of the season. With one exception they were still-lifes of candles and flowers, fruits and mandolins, pitchers and bird cages, ox skulls and oil lamps, knives, forks figurines and doves. Had these objects been painted with the luscious realism of a soup advertisement, the pictures would not have been at Rosenberg's, nor would they have interested any of the people there. Yet if there was one thing these doodles,...
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