In Manhattan's Carnegie Hall one night last week an angular young woman in black with an enormous white shawl collar gripped a microphone, spoke with warm, smiling emphasis to an assemblage of some 400 U. S. artists and six times as many followers of the arts. Of all speakers of the evening, Erika Mann had the simplest and to many listeners the most significant words to justify the second American Artists' Congress. They were a message from her father, Thomas Mann: "One frequently hears it said that the artist should stick to his...
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