All Good Americans (by Sidney J. and Laura West Perelman; Courtney Burr, producer) is a glib notation on the way some U. S. citizens, who live year-round in Paris, drink, wisecrack, pose and suffer. A tall, indolent young writer (Fred Keating) vaguely wishes he could afford to marry a striding, firm-chinned Paris fashion expert with a dazzling smile (Hope Williams). He is reduced to living off commissions from Paris stores to which he steers rich U. S. girls, finally resigns himself to the idea of marrying one. With laconic bitterness Hope Williams...
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