Past master of the art of musical pedagogy is Leopold Auer, veteran professor.
The appearance of a new pupil of Mr. Auer is in itself the signal for alert ears. So a discriminating audience gathered in Aeolian Hall, Manhattan, for the first recital of Miss Ruth Breton, his most recent product. The old master himself sat in his favored position—a box on the left side of the hall.
No one was disappointed. Mr. Auer had done his work well; and the pupil was worthy of the teacher. Miss Breton...
To continue reading:
or
Log-In
