Aching For the '80s

  • Pichi Chuang / Reuters

    Forward motion Ai Weiwei's Forever Bicycles art installation addresses the rapid pace of social change in China

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    Yong, the pharmaceutical salesman, is the target audience. He and his wife Hui-qing live in a small apartment in a middle-class neighborhood. She is expecting their first child, and so they are looking for a bigger place. They would like to buy a flat — at the moment they rent — but a housing bubble in Shanghai is making that difficult. "I don't think there's much of a chance we'll find a place we can afford," says Yong. His job pays reasonably well but is "intensely competitive. Sales don't come easily. I often work 12 hours a day or more." Yong and his wife may seem like Mr. and Mrs. Middle Class in the new China, but the idea that they have the world on a string and are happily living out the Great Chinese Dream "is kind of funny," Yong says.

    Ads that evoke a simpler time, either with humor or pathos, can resonate with consumers like Yong and his wife by providing a fleeting and much needed "psychological safety net," as Ogilvy's Bell puts it. GM's Youku campaign is just one example. Last year, a pop song made reference to two cartoon characters that were featured on the cover of junior high school textbooks in China in the 1990s. Giordano, a Hong Kong — based clothing company, plastered the images of the two characters on T-shirts and distributed them in all its major markets in China. The shirts sold out within days. Taobao, the eBay of China, soon thereafter introduced an online store called Memories for the Post-'80s Generation, which has generated more than $10 million in sales in the past nine months.

    The nostalgia play also helped save one of the most famous brands in "post-liberation" China, the Forever bicycle company. The Shanghai-based firm is, in its own way, almost as iconic a brand in China as Chevy is in the U.S. In the 1950s, there were four consumer products — the four so-called bigs — that represented the ultimate status symbols in the then poor country: the wristwatch, the radio, the sewing machine and the Forever bicycle. In today's China — the world's largest market for cars — bicycles are a much tougher sell. "To many people nowadays," says Chen Shen, the young CEO of Forever, "bicycles evoke poverty. Who would want a bike," he says, "when everyone else has a car?" That widespread sentiment, followed by a downturn in China's economy after the global financial crisis, brought Forever to the brink of bankruptcy by 2010.

    A digital-ad campaign evoking what Chen calls "a calmer time" — alongside the launch of a new line of simple, classically designed bikes — helped get the company back on track. That may seem counterintuitive for a bicycle maker trying to shed the link between its product and poverty, but the campaign worked. One of the ads depicts a father teaching a son how to ride. The setting is urban, circa the late 1970s; there are no skyscrapers visible; father and son ride around an old neighborhood, down narrow alleyways between low-slung houses. Neighborhoods like that barely exist anymore in urban China; they have slowly but surely been razed over the course of several decades of hypergrowth. Sales of the bike line featured in Forever's nostalgic Web campaign surged by 30% in the year after the campaign's launch, says Chen, which helped give the company some "critical financial breathing room" as it restructured.

    Generation Stress
    The idea of wooing China's young, emerging middle class with nostalgia hasn't come from market research or focus groups, marketers say. Instead, each advertiser has had its own little eureka moment. When Joan Ren, deputy head of marketing for Chevrolet in China, first screened Old Boys , she knew the company "was onto something. I knew it was going to be big, and it was immediately apparent why." Ren is one of the marketing brains behind Old Boys . In her early 40s, she is a bit older than the generation Chevy targets for models like its popular Cruze — she graduated from college back in the easier days "when there still was supposed to be a government job waiting for you" — but she is an avid student of the '80s generation. As products of the one-child-policy era in China, the '80s set has been stereotyped as "a spoiled generation, kids — and particularly boys — who get whatever they want." The country's economic success since this generation entered the workforce has, if anything, only reinforced that idea. But the truth is more complicated than that. The '80s generation, says Ren, is the first that is "independent, that has been able to chart their own course from the start, and they have reaped many of the benefits of China's transition to a market economy." The flip side of that, she says, is that nothing, once they get into the workforce, has been handed to them. "Big pressure," she says, is a constant.

    Pressure of precisely the sort that Yong described: find an affordable house in a crazed property market, work exhausting hours on the job and make sure your child is at the top of his class. "The idea that this generation has it easy is understandable in a historical context," says Ogilvy's Bell, "but it's really not right. This is a generation that has to sprint just to stay where they are. I call it Generation Stress."

    No wonder its members like to look back fondly once in a while. A few months ago, Ren attended a national meeting of all the Chevy dealers in China. Most, she says, are in their late 20s or early 30s, and almost all are men: Generation Stress in formation. On the last evening of the convention, there were two special guests, the stars of Old Boys . As they sang and played music from the film, the audience "went crazy — they loved it." For the 300 people attending, she says, the emotional punch of a simpler time could not have been more obvious. "Half of them were laughing," Ren says, "and the other half crying."

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