Cinema: Of Myth And Men

A conversation between Bill Moyers and George Lucas on the meaning of the Force and the true theology of Star Wars

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MOYERS: One explanation for the popularity of Star Wars when it appeared is that by the end of the 1970s, the hunger for spiritual experience was no longer being satisfied sufficiently by the traditional vessels of faith.

LUCAS: I put the Force into the movie in order to try to awaken a certain kind of spirituality in young people--more a belief in God than a belief in any particular religious system. I wanted to make it so that young people would begin to ask questions about the mystery. Not having enough interest in the mysteries of life to ask the question, "Is there a God or is there not a God?"--that is for me the worst thing that can happen. I think you should have an opinion about that. Or you should be saying, "I'm looking. I'm very curious about this, and I am going to continue to look until I can find an answer, and if I can't find an answer, then I'll die trying." I think it's important to have a belief system and to have faith.

MOYERS: Do you have an opinion, or are you looking?

LUCAS: I think there is a God. No question. What that God is or what we know about that God, I'm not sure. The one thing I know about life and about the human race is that we've always tried to construct some kind of context for the unknown. Even the cavemen thought they had it figured out. I would say that cavemen understood on a scale of about 1. Now we've made it up to about 5. The only thing that most people don't realize is the scale goes to 1 million.

MOYERS: The central ethic of our culture has been the Bible. Like your stories, it's about the fall, wandering, redemption, return. But the Bible no longer occupies that central place in our culture today. Young people in particular are turning to movies for their inspiration, not to organized religion.

LUCAS: Well, I hope that doesn't end up being the course this whole thing takes, because I think there's definitely a place for organized religion. I would hate to find ourselves in a completely secular world where entertainment was passing for some kind of religious experience.

MOYERS: You said you put the Force into Star Wars because you wanted us to think on these things. Some people have traced the notion of the Force to Eastern views of God--particularly Buddhist--as a vast reservoir of energy that is the ground of all of our being. Was that conscious?

LUCAS: I guess it's more specific in Buddhism, but it is a notion that's been around before that. When I wrote the first Star Wars, I had to come up with a whole cosmology: What do people believe in? I had to do something that was relevant, something that imitated a belief system that has been around for thousands of years, and that most people on the planet, one way or another, have some kind of connection to.I didn't want to invent a religion. I wanted to try to explain in a different way the religions that have already existed. I wanted to express it all.

MOYERS: You're creating a new myth?

LUCAS: I'm telling an old myth in a new way. Each society takes that myth and retells it in a different way, which relates to the particular environment they live in. The motif is the same. It's just that it gets localized. As it turns out, I'm localizing it for the planet. I guess I'm localizing it for the end of the millennium more than I am for any particular place.

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