(8 of 8)
A man who can do what Laurence Olivier is doing for Shakespeare—and for those who treasure or will yet learn to treasure Shakespeare—is certainly among the more valuable men of his time. In the strict sense, his films are not creative works of cinematic art: the essential art of moving pictures is as overwhelmingly visual as the essential art of his visually charming pictures is verbal. But Olivier's films set up an equilateral triangle between the screen, the stage and literature. And between the screen, the stage and literature they establish an interplay, a shimmering splendor, of the disciplined vitality which is art.
*General U.S. release will begin in Boston in August.
*The Second Gravedigger is blessedly out of the picture.