The history of music is littered with tragic figures. But the ultimate star-crossed musical genius was a Delta bluesman named Robert Johnson who laid the early framework of rock and roll decades before that term was even imagined.
Johnson was conceived in an extramarital affair and born in Hazelhurst, Miss., in 1911. Most of his biographical details have been lost to history, but what's known is that he learned guitar in his teens, got married and had a girl who died in childbirth. The death led Johnson to throw himself even deeper into his music. He fled to Robinsonville, Miss., where he was influenced by early blues legends Son House and Willie Brown.
By 1933, Johnson had remarried and began playing the guitar professionally. He once related the tale of selling his soul to the devil at a crossroads in exchange for his talent. Johnson tells the story in his song "Crossroads Blues."
Playing for tips up and down the Delta, Johnson gained in popularity. But as he grew in fame, he became a noted philanderer. He would also walk off in the middle of performances and not be seen or heard from for weeks at a time.
In 1936, he was put in contact with Columbia Records talent scout Ernie Oertle, who took him to San Antonio, Tex., where Johnson recorded classics including "Sweet Home Chicago," "There's A Hell Hound On My Trail," and his signature "Terraplane Blues."
Johnson began to tour nationally and became known for his unique voice and halting guitar rifts. But in 1938, as the legend goes, the devil caught up with him. While playing at a juke joint, he flirted with a woman whose husband became jealous and the man laced Johnson's whiskey with strychnine. Although he became violently ill, Johnson played until he collapsed. He died four days later at age 27, although conflicting stories say he survived the poisoning and died later of pneumonia.
There are at least two Mississippi gravesites that bear his name leaving questions about his passing and burial. "The reason that it's so powerful a story is because it is the outline of the tragic side of the music that followed," said music journalist Alan Light. "Some knew him as a musician, others by legend, but his shadow touches everyone who came out of that time and place."