Photojournalism at the Crossroads
"What was so special about it," says McCurry, "was its archival quality and longevity. Kodachrome retained its color. The color in pictures from the '50s is as true as when the picture was made. It had a wonderful color palette that interpreted what you saw in a true way. Other films were too vivid, too hyper. Kodachrome saw how my eye saw the scene."