They're at it again. Renee Zellweger has put the weight back on. Hugh Grant is as amusingly caddish as ever. Colin Firth is again a big, stuffed, curiously lovable goose. And Bridget Jones: The Edge of Reason is, if not better than Bridget Jones's Diary, at least as good.
The film is made by the gang that hangs around Working Title, the English production company that has given us Four Weddings and a Funeral, Notting Hill and About a Boy, among other recent delights. It was written by a team of the company's regulars; is nicely directed by a newcomer to its ranks,...
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