The theology of painting" is how one of Diego de Velazquez's 17th century admirers described his work. What did he mean? That the work was true; that it represented a truth about nature, as theology did about God; that this truth was conclusive, beyond further argument. In a culture ruled by King and church, where the arts were easily accused of frivolity and sensuality, this was a colossal claim. Very rarely, an artist gets to transform the conditions of his culture--not just add to them or jog their evolution, but alter them decisively. This is what Picasso did for America and...
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