Dance: We Have Contact

In the '60s, broadway and musical comedy were all but synonymous. Of late, though, the Great White Way has become a neon-lit recycling bin for tributes (Fosse), revivals (Annie Get Your Gun, Cabaret), retread movies (Footloose) and British imports that were creatively dead on arrival (any Andrew Lloyd Webber show). Yes, Stephen Sondheim still strikes sparks, while a few up-and-comers, especially Adam Guettel (Floyd Collins), show signs of vibrant life. But it's long past time for something really fresh. Contact, the exhilarating dance play by choreographer Susan Stroman and writer John Weidman that opened last week at Manhattan's Lincoln Center, is...