Art: An Enchanting Strangeness

The neglected 16th century master Lorenzo Lotto was psychologically complex and poetic. In a word, modern

It seems improbable that, by now, there could be such a creature as a great but little-known 16th century Italian painter, but so it is--at least in America--with Lorenzo Lotto (circa 1480-1556). The current show of 51 of his paintings at the National Gallery of Art in Washington, co-curated by art historians David Alan Brown, Peter Humfrey and Mauro Lucco, is actually the first ever held in the U.S. It can't pretend to give a full view of Lotto, the bulk of whose work consisted of some 40 altarpieces in various towns in northern Italy--Bergamo, Recanati, Jesi. Neither these nor the...

Want the full story?

Subscribe Now

Subscribe
Subscribe

Get TIME the way you want it

  • One Week Digital Pass — $4.99
  • Monthly Pay-As-You-Go DIGITAL ACCESS$2.99
  • One Year ALL ACCESSJust $30!   Best Deal!
    Print Magazine + Digital Edition + Subscriber-only Content on TIME.com

Learn more about the benefits of being a TIME subscriber

If you are already a subscriber sign up — registration is free!