It's easy to say what's wrong with Show Boat, the seminal 1927 musical by Jerome Kern and Oscar Hammerstein II that steamed onto Broadway this week in an $8.5 million blaze of spectacular stagecraft. Based on Edna Ferber's novel about a floating theater on the Mississippi River, the show has always been too long and thematically sprawling. The most engaging characters, the light- skinned black Julie and her white husband Steve, virtually disappear before the intermission, while the coincidence-plagued second act rambles episodically from 1889 to 1927. Over the years, some critics have found the treatment of blacks patronizing and often...
To continue reading:
or
Log-In
