Callie Khouri was a bit embarrassed to tell her friends, back in 1988, that she had begun working on a screenplay. After all, in Los Angeles it often seems as though screenplays are being written by everyone who can put a noun and a verb together, and by some who can't. But Khouri felt she was on to something special. She had grown tired of seeing women portrayed in movies as passive partners, terminally ill victims or sex objects. "I wanted to write something that had never been on the screen before," she says. "As a female moviegoer, I just got...
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