Mention feminism and art in the same breath, and some art critics begin to fume. "The feminist movement has not come up with a single talent heretofore unknown to us," insists Hilton Kramer, the founding editor of the New Criterion, a monthly arts review. "It tells us nothing about the qualities one should be studying in a work of art." But those are fighting words to the legions of artists, critics and scholars who have devoted the past 20 years to developing a feminist critique of art history. Their efforts have virtually set the agenda for academic discussion and have begun...
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