DARKMAN Directed by Sam Raimi
Screenplay by Chuck Pfarrer, Sam Raimi, Ivan Raimi, Daniel Goldin and Joshua Goldin
Darkman wants to be Batman. Its hero, a scientist (Liam Neeson) scarred in body and soul after being left for dead by venal thugs, is a cloaked crusader bent more on vengeance than on justice. Director Sam Raimi, whose cheapo slasher film The Evil Dead achieved cult status, mines familiar comic-book terrain with a plucky heroine (Frances McDormand), a couple of corporate villains — one slick (Colin Friels), the other slimy (Larry Drake) — and plenty of explosive violence that virtually reads KA-BOOM! in block letters across the screen.
But like Batman, this comic-book movie is anything but comic; every plangent chord of Danny Elfman’s splendid pop-Wagnerian score underlines the scientist’s twisted nobility. Raimi isn’t effective with his actors, and the dialogue lacks smart menace, but his canny visual sense carries many a scene. And he knows how to give resonance to a tinny plot: by portraying a character so powerful and warped that he is urban America’s perfect patron saint. R.C.
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