One of life's frustrations for aficionados of the crime novel is the discovery that there are loved ones or esteemed friends who, having sampled the genre, view it with boredom or disdain. The most irritating aspect of the belittlers' criticism is that it is often correct, at least as applied to the humdrum majority among the hundreds of mysteries, thrillers, police procedurals and spy stories published in the U.S. each year. Characters are frequently sketchy, plots more elaborate than coherent, dialogue archly unnatural, and exotic settings tacked on rather than integral to the narrative. Many authors seem to think that a...
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