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Cranach did it, Van Eyck did it, even Hans Pleydenwurff did it. But nobody drew the birds, bees and flowers better than Albrecht Durer, the German master who died in 1528, leaving a legacy of nature illustrations that have been admired (and copied by forgers) for centuries. Albrecht Durer and the Animal and Plant Studies of the Renaissance by Fritz Koreny (New York Graphic Society; 278 pages; $75), compares such renowned works of botanical and zoological observation as Hare and The Large Piece of Turf with their imitations. The result is a scholarly view of authentication problems in...
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