The Metropolitan displays Van Gogh's rhapsodic energy
If you once thought Vincent the Dutchman had been a trifle oversold, from Kirk Douglas gritting his mandibles in the loony bin at Saint-Rémy to Greek zillionaires screwing his cypresses to the stateroom bulkheads of their yachts, you would be wrong. The process never ends. Its latest form is "Van Gogh in Aries," at New York City's Metropolitan Museum. Viewed as a social phenomenon rather than as a group of paintings and drawings, this show epitomizes the Met's leanings to cultural Reaganism: private opulence, public squalor. Weeks...
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