Progress is painful for play and playwright
A new movie or TV show always involves considerable risk. But the real high rollers are in the theater, and opening night in Manhattan is always a kind of crap game. Within two hours the play is either a success or a flop. Either way, years may have gone into the production, and the story behind the play is often more interesting than the play itself. To find out what goes on, TIME's Elaine Dutka spent three weeks behind the scenes of William Hamilton's Save Grand Central, a...
To continue reading:
or
Log-In
