The Theater: Crime and Panachement



Seven years ago, in Rosencrantz and Guildenstern Are Dead, British Playwright Tom Stoppard turned Hamlet inside out and seemed to prove that even for bit players, great tragedy has no silver lining. When critics inquired about the play's message, Stoppard averred that this is no age for message in the theater. "One writes about human beings under stress," he said, "whether it is about losing one's trousers or being nailed to a cross." To risk a play whose primary level was philosophical, he added, "would be fatal." In Jumpers, that is just the gamble he has...

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