Lilith, in ancient Babylonian mythology, was a female embodiment of evil. In J. R. Salamanca's gaudy, gothic 1961 novel she was a wildly desirable schizophrenic whose corruptive beauty disrupted the routine of a private sanitarium. In Director Robert Rossen's movie version of the book, she is Jean Seberg, who enjoys an unholy liaison with a young therapist-in-training, lures an inmate toward destruction, steals away with a lesbian patient, and occasionally whispers improprieties into the ears of small boys.
Director Rossen renders all this with just enough art-film panache to have won Lilith a place among far worthier movies in the recent...
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